Did Michelangelo leave little notes along the top of the Sistine Chapel, detailing why he chose this color over that, or why the line is curved like so? Does a master watch maker etch explainations along the sides of hears so that someone else can alter his craftsmanship?
Programming it's like art. The details exist only to comprise the whole. It is not aesthetically pleasing to have comments in the code. Once the work is released, it is complete, and the author is dead. The program itself can be appreciated on its own, with no need for further change or input.
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Anonymous2014-12-05 17:45
I think comments can be aesthetically pleasing.
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Huskellfaggot2014-12-05 17:53
Michelangelo also didn't expect other people to preform complete rehauls/significant changes to the final product.
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Anonymous2014-12-05 17:54
I put a brief comment on the top of the code detailing what the code does and how to use it.
>>3 Pretty sure he did. People would come to him and complain about it all the time. His response was to paint them in hell.
There's a valuable lesson to be learned from that.
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Anonymous2014-12-05 18:48
>>6 That's a sarcastic response, not a legitimate invitation to copy his works.
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Anonymous2014-12-05 19:13
>>1 Nobody is in charge of the maintenance of the logic in the Sistine Chapel, ``faggot''. Nobody gets paid $10/hour to put redundant bullshit in the inner workings of the Sistine Chapel, ``faggot''. Programs would be very shitty if only the first final version were the absolute definitive version, ``faggot''.
Faggot.
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Anonymous2014-12-05 19:52
Against Jesus Nikita went against Jesus.
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Anonymous2014-12-05 19:54
Against Jewsus. Against Jews & us. Against Jews & US.
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Anonymous2014-12-05 20:17
Yet I well remember The favours of these men: were they not mine? Did they not sometime cry, 'all hail!' to me? So Judas did to Christ: but he, in twelve, Found truth in all but one: I, in twelve thousand, none. God save the king! Will no man say amen? Am I both priest and clerk? well then, amen. God save the king! although I be not he; And yet, amen, if heaven do think him me.
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Anonymous2014-12-06 1:24
Athiest Jesus
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Anonymous2014-12-06 1:43
Nikita against the world.
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WHITE RASTAFARIAN2014-12-06 6:57
Marijuana is Bad
I hate marijuana. It is a class A drug for a reason. It destroys your brain and brings anarchy to the world.
Me looks both ways to see if anyone around ok mon, now dat da feds are gone, lets get ta business. Me inhales me blessed reefer
Weed is cool. It's actually really nice. If ya t'ink otherwise, den ya better t'ink twice. Me gonna tell you, why Reggae is my life. Me love Reggae so much me wish it was me wife. Marijane is me love. Spliffs and Reefers too. Kush makes me so hot you'd t'ink I had da flu. Why should ya smoke herb? Me gonna tell you why. When ya smoke heaven's grass ya feel like ya gonna fly. Away from all ya problems. Towards a purposeful end. Makes ya feel, so nice. Weed, you will soon befriend.
Reefer hErb Green Grass Anus Everything Cook and Curry (Reggae term for "Everything is Fine")
REGGAE
(If you are 911, you do not have permission to read this and can't use it in court. Sorry piggy.)
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Anonymous2014-12-06 7:12
ROIDS
ROIDS
NOIDS ON ROIDS
That's how it works.
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Anonymous2014-12-06 7:29
>>14 But why don't you hate alcohol and tobacco? They're drugs too (i.e. cause addiction and health problems) and no less harmful than weed, but they're legal because corporations feed off of them.
>>16 Only retards subhumans become drunk or addicted to alcohol.
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Anonymous2014-12-06 8:58
the first symphony op. 40, in c, begins over a quiet and expectant rhythmic pulse, out of which develops naturally the movement's long-breathed main theme. Particularly notable in this movement is a dissonant clash around fifteen minutes in, which leads to an expansive outburst of the second theme. After the recapitulation subsides into the more active coda, we are in a very different place. Frenetic downward scale fragments based on one of the subsidiary themes dispel any leisureliness from the forward motion of the work, and over them, increasingly urgent reminiscences of that same theme provoke first a collision, then two maestoso restatements, and ultimately resolution into several triumphant C major chords, and a pause... followed by repeated, insistent, and very final minor-third descents of Eb-C, the last C held unisono.
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Anonymous2014-12-06 9:00
The c minor finale is an impressive creation, continuing the tragic atmosphere that has never really left the first movement and enhancing it. Structural use is made, as in some Bruckner symphonies and works by others as well, of the contrasting quantity of the chorale in this piece, and most effectively; likewise, cyclic quotes from earlier movements (which have not been lacking in the scherzo, for instance, either.) All leads from the somewhat un-Brucknerian opening through well-placed climaxes to a most memorable conclusion, as slowly gathering forces hit a dissonant nolle prosequi and descend to one last and most eloquent restatement of the first movement's main theme.
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Anonymous2014-12-06 9:01
MARIJUANA IS THE CURE FOR CANCER BUT BIG PHARMA DON'T WANT YOU TO KNOW ABOUT IT WELL I SUGGEST WE ALL SMOKE WEED AT WASHINGTON D.C. AS PROTEST ALL OF US SHOULD LIGHT OUR JOINTS OUR BONGS OUR BLUNTS AND YELL FUCK THE LAWS!
>>21 Dis fugin craka is right, I smok weed evr day n Im enlightened n mor intelligent yall fugin racist scum. Yall hate weed cuz we aurican amuricans smoke it. I us only weed to code, im an expert ruby n python coder.
In musical terms, this work is a landmark of English composition and represents the peak of Walton's symphonic thinking. The two composers in favour in 1930s England were Beethoven and Sibelius, advocated by Constant Lambert in his book Music Ho!. Walton cleverly draws on both sources: the first movement is written in Beethovenian sonata form, and the developmental procedures clearly derive from Beethoven. But within this skeletal frame, the first movement is shot through with smaller Sibelius-like motifs (such as the opening horn call) which run throughout the movement and bind it together. The thematic rigour and shattering emotional power of the movement — and the Symphony as a whole — may be attributed to this unique method of musical construction.
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Anonymous2014-12-06 15:19
When the application is deployed, the GWT cross-compiler translates the Java application to standalone JavaScript files that are optionally obfuscated and deeply optimized. When needed, JavaScript can also be embedded directly into Java code, using Java comments.[11]